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Ulric Henry Ellerhusen (1879–1957) first name variously cited as Ulrich(the original German) or Ulrik, surname sometimes cited as Ellerhousen) was a German-American sculptor and teacher best known for his architectural sculpture.
His works include 70 sculptures for the University of Chicago's Rockefeller Chapel; a tympanum over the University's Oriental Institute; 4 statues for the Louisiana State Capitol; 5 exterior reliefs for the Oregon State Capitol; and the Oregon Pioneer statue.
In 1926, Ellerhusen worked with Lee Lawrie to produce about 70 integrated sculptural figures for the Rockefeller Chapel at the University of Chicago. Lawrie was responsible for the figures below the 30-foot level of the building, and Ellerhusen for the higher and less visible work. Ellerhusen's most notable contribution was the March of Religion, a series of fifteen monumental sized figures across the front gable. Unlike what is found in most churches, the people represented were not just drawn from the Judeo-Christian tradition but included Zoroaster and Plato as well as Abraham, Moses, the , Elijah and Isaiah and John the Baptist. Christ holds the center position. Next to him is Saint Peter, then the Apostle Paul, Athanasius, Augustine, Francis of Assisi, Martin Luther and John Calvin make up the remaining figures in the gable. Elsewhere on the building Ellerhusen created figures of Amos, Hosea, John Huss, William Tyndale, St. Monica and St. Cecilia as well as the emblems for Matthew, Mark, Luke and John.Goodspeed, Edgar, J. The University of Chicago Chapel: A Guide, The University of Chicago Press, Chicago, Illinois, 1928 Ellerhusen returned to the University of Chicago in 1931 to execute a panel for over the main entrance to the Oriental Institute's new building. This figures on this tympanum symbolize the passing of writing from the East to "vigorous and aggressive figure of the West.". The Oriental Institute of the University of Chicago In commemoration of the dedication of the Oriental Institute building, December fifth, 1931 The East is represented by a lion in the foreground with Zoser, Hammurabi, Thutmose III, Ashurbanipal, Darius the Great and Khosrau II farther back. The West has a bison as its totem while its great men are Herodotus, Alexander the Great, Julius Caesar, a Crusades and two modern men, an excavator and an archeologist. Various examples of the great buildings form the background of both sections. The building picked to represent modern architecture is Goodhue Livingston's Nebraska State Capitol.
Although Ellerhusen and Lawrie worked together on several buildings it is only at Goodhue's Christ Church Cranbrook (1928) that it is difficult to determine who did what. It is likely that each did several of the figures independently, but their styles are so similar, and in this case the figures representing such atypically ecclesiastical people as Wilbur Wright, Louis Pasteur, Michael Faraday, Galileo Galilei, Johannes Gutenberg, Leonardo da Vinci, Abraham Lincoln and George Washington are closer to Ellerhusen's more relaxed and naturalistic style than Lawrie's.McMechan, Jervis Bell, Christ Church Cranbrook: 1928–1978, Christ Church Cranbrook, Bloomfield Hills, Michigan 1979 For the Louisiana State Capitol building Ellerhusen created "four colossal corner figures standing for 'four dominating spirits of a free and enlightened people,'" Garvey, Timothy Joseph, Lee Lawrie Classicism and American Culture, 1919 - 1954, PhD. Thesis University of Minnesota 1980 Law, Science, Art, and Philosophy. Agard, Walter Raymond, The New Architectural Sculpture, Oxford University Press, NY, NY 1935 He also produced a frieze Louisiana: History and Life that is divided into five parts and wraps around the building at the fifth floor level. In one section Ellerhusen used a son (Solis Seiferth, Jr.) and a daughter (Carol Dreyfous) of the building's architects as models for figures of children in his design.Kubly, Vincent, The Louisiana Capitol-Its Art and Architecture, Pelican Publishing Company, Gretna 1977
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